Making a Union Flag kilt is a bit like doing a jigsaw. The guys in the workshop have been hard at work finding the corners, completing the edges, filling in the sky … and, happily all the pieces were there. We now have Union Flag kilts in stock. Buy one here.
The section of the show was related to the mens’ prostate cancer charity Movember and bizarre (I would have said magnificent) facial hair in general. I was invited to attend as I recently became British freestyle beard champion.
If you can be bothered to sit though the adverts our section starts at 17 minutes: Alan Titchmarsh show
Please donate to my Movember page
If you’ve walked along Shoreditch High Street recently you’ve probably been drawn into the cornucopia of fabulous delights that is Present. The FT’s ‘How to spend it‘ raves about them and says they stock “Brilliantly edited modern menswear that pushes fashion boundaries without going over the top”.
I was wowed as I browsed through for the first time last winter. It turns out that Eddie (the co-owner of Present and co-founder of the famous Duffer of St George) was equally wowed by the Union Flag kilt I was wearing.
The upshot of this chance meeting (don’t we always meet more people when we wear a kilt?) is that we have been given the honour of being featured in their jubilee punk themed window. Thanks guys!
I’ve had a design for a kilt with the Union Flag on the front for a while now. It looks pretty good but I’ve never been 100% satisfied with it. It didn’t adjust as neatly as my Classic Skilt design and, despite trying a number of innovative solutions, there was always the propensity for the wide apron to ‘tent’ across the knees when sitting (to the delight or chagrin of the person sitting opposite).
Having a Union Flag that wraps across the pleats of a Classic design Skilt has been in the back of my mind for years but I’ve always written it off as too complicated. This year I’ve finally decided to give it a go.
I’m a stickler for accuracy so the Union Flag needs to be drawn to just the right scale so that the height of the flag matches the length of the kilt. The rectangular flag then gets translated onto the conical form of the kilt, as I do this I realise that it’s even more complex than I first thought as it requires extra adjustments to stop the diagonal lines from having a ‘saw tooth’ effect. Each pleat needs at least 3 unique pattern pieces for Red, White, and Blue. All in all it is an epic project.
Thankfully I’ve got an expert to help me. I’d like to introduce Graham my pattern cutting assistant: